Question: Is it typical for each class to be very similar each week? We’ve noticed that we are singing the same songs each week and I’m hoping that the class changes a bit from week to week. Could you let me know?

Answer:
Your question was both astute and excellent. That tells me that you are paying attention in class! (Which is wonderful, since seriously, I’ve had a few mommas that text the entire class time!)

While we as adults may quickly tire of an activity, it is important that we recognize the importance of repetition to our children’s learning. Learning, or the growth of neural connections in the brain, is strengthened through repetition. A one-time experience is not enough for a neural connection to form and stabilize. It is through repetition that possibility becomes ability. That is why Kindermusik activities are repeated over and over.

We will, however, do “extensions” of activities. The brain loves to be a little surprised once in a while; a surprise causes the brain to pay extra attention. One week we might sing a song, the next we’ll sing the song and add a manipulative. We might do the same lap bounce for 5 weeks in a row, but change up the words in the 4th or 5th week. This allows children to have mastery of an idea before we add a new one.

Three interesting facts :

1. Learning requires electrical energy to create neural pathways. The less “automatic” something is, the more electrical energy is required. Think of something you do automatically – like count by 10′s. It takes very little electrical energy for your brain to travel that “counting 10′s” neural pathway, because you’ve done it a lot.

The more well-traveled a pathway, the less energy is required. That’s why you can do two things at once. Watch TV and knit, for example. When you are first learning to knit, it takes all of your effort. Looking, counting stitches, watching your needles. As it becomes automatic, you use less brain energy, so you can layer another activity on top of that without fear of accidentally turning those mittens into a hat instead.

Communicating Neurons

2.  Did you ever wonder why children expect a favorite activity to be repeated again and again and again? Repetition is a necessary building block of development. Children’s brains KNOW that they need repetition. They are pretty smart little creatures! Do you remember the show Blue’s Clues? (Never the same for me after Steve left…). The creators did research while developing the show as to what preschoolers wanted to see in the show, and you can probably guess the answer by now – repetition!

3. So what about the fact that we always have a hello and goodbye ritual, a bounce, a steady beat, rocking time, and story time (in the older classes)? As my friend Heather Wiebe says (she a Kindermusik teacher in Alberta who is fascinated about the way the brain works, just like me) “Patterns make children happy.  Knowing what to expect and having things happen in that way not only helps children know what to expect and feel at ease, it’s also how they mark time.” When the environment and routine is predictable, then a child feels safe and learning can naturally happen.

We know you’ll be ready to move on to another activity before your children will (believe me, I’ve been there three times with my own kids!) know that you’ll get new music and activities soon enough. And a Kindermusik Education is the most powerful tool you can give them now, for future success in school, work and life.

-posted by Miss Analiisa, who would love you to email her and let her know your questions. (She can’t read your minds, you know. She does have eyes in the back of her head, but not mind-reading powers. Though now that her children are getting older, wonders if she can trade those extra eyes in for psychic abilities. Or maybe she doesn’t want to know what is going on in there!)

What happens if you don’t work out your grownup body? You know the answer to that. But do you know what could happen if your child doesn’t work out those 11 muscles and their lungs? Their breath control will be affected. Why is that a big deal?

Breath control is directly related to the ability to speak, sing, or read a complete sentence.  Poor breathing (mouth breathing or shallow breathing) can cause high blood pressure. Optimal breathing helps promote weight loss, as oxygen burns fat and calories. (Maybe that one is more for the grownups!)

Breathing well is the key to sleeping well and waking rested. Breathing provides 99% of your energy. When playing a wind instrument, a good tone is almost entirely dependent of good breath control, although a good instrument helps!

Only one third of lung capacity is used in normal breathing. Think about the Swiss freediver who held his breath underwater for 19 minutes and 21 seconds! I’ll bet he was using his full lung capacity.

Now that you understand that you need good breath control, here are a couple of ways to promote it with your preschooler this week.

Straw Painting

I was going to do a whole picture/explanation thing here, but I found a craft blog that did it beautifully, and who doesn’t like a linkback? So, here you go. Tons of fun. And I think that you grownups should try it, too. I’m going to.

Slide Whistle Play

1. If you have a Kindermusik Imagine That student at home (and you have a preschooler, you really should have them in Imagine That – shameless plug, here), then pull out your slide whistle. (Or, get thee a slide whistle if you don’t! Either plastic or metal works great.)
2. Learn the song Windy Weather. It’s #14 on your See What I Saw Home CD 2. Or, download it here. (But you really should be enrolled in class…)
3. Now, sing the song, rather than playing the music. That will allow you to control the tempo and change the words.
4. Start with the slide all of the way pulled out. Sing “Windy weather, windy weather, when the wind blows…” Then blow into the slide whistle, as you push the slide up.
5. Now change the last words to “We all fall down together.” Then blow into the slide whistle as you pull the slide down.
6. Now sing it slowly, sing it fast, sing it quietly, sing it loud. The loud and slow versions are where breath control really comes into play. You have to control your breathing by letting out a little air at a time, in order to make it through the louder blow, or the slower pull on the slide.

Now for a little bit of inspiration. Think that slide whistle is not a “real instrument”? Just watch Tom Goslin (a professional guitar player who is well known in the pit orchestra world) perform the Allegro from Sonata in C major for viola da gamba and Continuo by Carl Frederic Abel. (He played cello and viola in Bach’s court orchestra. Abel, I mean. Not Goslin.) You guessed it – on slide whistle.

-posted by Miss Analiisa, whose hero (because she’s a low brass player), is Arnold Jacobs, the one-lunged tuba player, who was the principle tubist for the Chicago Symphony Orchestra for 44 years, and not surprisingly, was an expert on breath control.

Image: Worakit Sirijinda / FreeDigitalPhotos.net

The things your preschooler naturally wants to do will boost their cognitive development – the growing of thinking skills, including problem solving and decision making. Cognitive development is not about the acquisition of information, though that might occur in the process.

What’s important about helping your child acquire cognitive skills now in the preschool years is that this aptitude can then be transferred to any other learning experiences in their life.  For instance, take puzzles. There is a lot of thinking involved in completing a jigsaw puzzle. Sorting, organizing, categorizing, visual discrimination, remembering (Where did I see that piece I now need?), a plan of action (Do I do the outside or the inside first?)

Now fast forward 30 years. Your preschooler has become a successful research scientist. And puzzles have helped her become so. She learned the scientific method as a child. She observed the puzzle, she hypothesized how to solve the puzzle, she tested her solution and concluded if her solution worked!

All mistakes or problems are really opportunities for cognitive development. Here’s why: Children thrive on routine and familiarity. When something happens that thwarts their “normal”, they are required to come up with a solution that is outside of their box, and in doing so, cognitive development occurs.

Take the proverbial spilled milk. Your child dropped his cup of milk. You could get mad (especially if you just cleaned your kitchen floor), but don’t. Remember – all mistakes or problems are really opportunities for cognitive development.

Ask your child to look at the spill – Wow! That little mug of milk sure spread out all over the floor. Is the puddle going to keep growing, or stop? Is it a deep puddle? How can you tell? What should we do about all this milk on the floor? Oh, clean it up? How? What should we use to do that? Milk gets sticky when it’s dried, because it has a kind of sugar in it. What do you think could put on our washcloth to get the sticky off the floor? Why do you think you dropped the cup? How can you hold the cup differently next time so it doesn’t spill? Observing, hypothesizing, testing and concluding!

Here is a list of 10 cognitive skill-building activities to do with your child.

1. Play Hot and Cold. Hide an object and give your child clues as to where it is by saying hotter, colder, or warmer.
2. Games like Dominoes, Uno, Skip Bo or Battleship
3. Cooking. Let your child mix, pour, etc. Lots of mistakes or problems can occur to solve in this activity. (Just ask professional chefs.)
4. Play I Spy with shapes, colors, textures, etc.
5. Household chores like sorting laundry or putting away silverware.
6. Ask (sometimes very silly) thinking questions. Is an elephant purple?  Which is bigger – our cat or our dog? What did you eat for dinner last night?
7. With your finger, draw a simple shape or picture on your child’s back. See if they can guess what it is. Give clues if necessary. (It’s something you find outside. It is very tall.)
8. Category games. What doesn’t belong – cat, mouse, frog, tree? Find me 3 things that are yellow.
9. Create an obstacle course.
10. Let them make mistakes and then allow them to figure out how to solve them.

 -posted by Miss Analiisa, who thinks she’s pretty cognitively savvy, until she plays the game Gobblet Gobblers with her children and loses!

There are two kinds of steady beat. The first is internal, which is unique to every person. You are born with your own inner tempo. Think about yourself – how fast does your “clock” tick? Do you walk fast, talk fast, expect quick results? Get frustrated when everything or everyone else can’t keep up? Your internal tempo is probably allegro!

My 9 year old son’s internal beat is much slower than mine. He needs to process and “cook” information. As a Suzuki violin momma, I have to participate in his practice. After 2 years, he finally said, “You’re going too fast. You’re confusing me. It’s too much information at once.” If only I had recognized that before. If I continue to coach him at my pace, I’m going to frustrate him, and he’ll probably end up hating violin. Practice is now relatively easy on both of us.

Faster internal steady beats don’t equal brighter children; my easy-going middle child is just as smart as my speedy 12 year old.  They just both like the information presented to them at a tempo that matches what is going on inside. If I keep that in mind, I’ll be a better parent.

We cannot change an internal working tempo. It’s yours for life. We can, however, teach children to be flexible to match an external steady beat with the activity they are doing. Why do we do this? You don’t want to cut out a delicate paper snowflake at 90 miles an hour! Nor do you want a slow tempo child to read at a snail’s pace.

Babies come ready made with their own internal steady beat. Sometimes in class, a song will play that is pretty close to their own tempo. Then that baby will tap his drum right in time to the music, and all the grownups in class will ooohh and aaahh at this little musical genius!

It isn’t usually until they reach age 3 or so that they begin to be able to match an external source of steady beat, such as playing instruments to a song, or marching. And we don’t really expect consistent beat matching to occur until between Kindergarten and 2^nd grade.

But because the ability to match a steady beat is so vital to success in many other skills, we do start steady beat practice from the very earliest Kindermusik class – Village. You can practice at home, too. Here are some fun ideas to try:

For babies and toddlers: To help these little ones to feel an external steady beat, use their bodies. Put your child on your lap and steadily chant a nursery rhyme, or sing a simple song. Bounce your child up and down, keeping the tempo consistent.

For preschoolers: Hold hands, a rope, a stretchy band or a large scarf between you. Sing a song your child knows (so she doesn’t have to think about the words) and sway or rock back and forth together. You can change the tempo every couple of repeats.

For young schoolchildren: Put on one of your Kindermusik Young Child CD’s or their current musical favorite. Music that changes tempo is especially good, so try some classical music. Give your child a big sheet of paper and some markers or crayons. Have your child draw (lines, dots, circles, squiggles, etc.) to the tempo of the music. Ask questions like: “What does this slow music look like?”

There are lots of fun ways to practice matching an external steady beat. I’m sure you’ll get creative!

-posted by Miss Analiisa, who is determined to workout her internal speedy steady beat muscles by learning to slow down and rest. Actually rest. Stop doing things. Stop thinking. Breathe deep.

Source: Wikipedia (Amon)

Butterflies have been migrating to Woodinville lately….all the way from France!  I was a docent at Natural Bridges State Park,  in Santa Cruz, California while in college, so I do know a little about the migration of monarch butterflies.  So I do realize that they make a journey of sometimes over 3,000 miles, but it usually involves a North/South pattern, not East/West.

I also know that a Monarch caterpillar only eats milkweed as it grows, and this helps them gain the invaluable defense of being poisonous.  Their bright colors, both as a caterpillar and as a mature butterfly warn predators away.  Here’s a fun website to learn more about the Monarch. 

Ah! Les Jolis Papillons is the French song we have been singing and dancing to in class.  In English, this translates to  All the Pretty Butterflies.  I’m so happy when the children come up to me in class and ask for a “papillon” stamp.  Singing is a wonderful way to introduce a new language at any age.  We have also had our French papillions make new friends in Imagine That.   They have been singing Bonjour Mes Ami, which translates to Hello, My Friends!

Here’s Ah! Les Jolie Papillons  for you to listen to: (You can also download the song at www.play.kindermusik.com) 2-22 Ah! Les Jolis Papillons (Oh, 1

Enjoy finding out how you can encourage your child to become the beautiful person I know they will become!

-posted by Miss Beth, who floats like a butterfly, but does not sting like a bee.

Owen and Patrick when they were in Our Time and Imagine That!

My little Patrick (now 3 1/2)  took out our wonderfully stocked music box on New Year’s day and started doing ~  wishy washy wishy washy ‘wee’  for awhile and then Owen (now 6) found his blue blocks and started to do the same.  First of all, Patrick barely talked much when we did Wiggles & Giggles, so his recall to me was amazing.

Then, I pulled out all our stuff and all the CD’s and we spent all of New Year’s day singing all our old songs, dancing and using all our gear.   Patrick pulled out his puppy house from Fiddle Dee Dee and Owen searched and found his ‘park’ from Imagine That too. 

We have used these items here and there all the time, and especially listen to the CD’s in the car always, but perhaps not as much as when they both used to be in class all the time.

The music instruments are always available; it was the “props” and activity books I put away, but brought them back out after New year’s and what the fun we had!

** THANK YOU ** THANK YOU**  for being such an important part of their happiness.

All the best-

Margaret Klinkenberg

Spatial awareness can be defined as: an awareness of the body in space, and the child’s relationship to the objects in the space. This can include spatial orientation, which is the skill that allows them to understand and comply with simple requests such as: “line up at the door” or “sit in a circle.”

Doing the Hokey Pokey in Kenya!

Spatial awareness is also linguistic. The understanding of the positional words people use to define themselves in space is essential to spatial awareness. “I am underneath the bridge….I am behind the tree.” You get the picture.

Next time you are in your Kindermusik class, check out the movement chart on the wall and notice how many of the words are directional or relational. Hoop play is one of the many activities in Kindermusik designed to promote spatial awareness…I am in the hoop, outside the hoop, beside the hoop, in front of the hoop. Another well-loved favorite is the “Hokey-Pokey” …“you put your right arm in, you take your right arm out, you put your right arm in, and you shake it all about…”

Our Time’s “Zoom-E-Oh” which demonstrates up/down, high/low, in/out, away/together, etc. Songs like these and activities like hoop play are allowing your child to learn to organize the available space in relation to themselves and in relationship to objects and other individuals.

In addition to spatial awareness, they are learning things like body parts, rhythm patterns, and a sense of direction. Spatial concepts learned through movement and exploration simultaneously develop muscle strength, coordination, self-confidence, and thinking skills. Spatial awareness helps you distinguish between words on this page and see the letters in correct relation to each other.

Which brings us to the initial question: what is the link between your child’s Kindermusik experience and his ability to read a map? Studies show that the development of spatial orientation leads to increased understanding of location and direction and even eventually the ability to understand and read a map – the point being that spatial awareness or a lack thereof has a direct impact on everyday skills that make a practical difference in our ability to navigate through life.

This same ability applies to reading and writing music on the staff, swinging a golf club, lobbing a tennis ball over the net, heading a soccer ball into the goal, or sending a baseball over the fence.

So…what if the Hokey-Pokey is what it’s all about? Well….in some respects, it is!

­-posted by Studio3Music, with thanks to contributor Theresa Case, our friend and Kindermusik Educator from Greenville, SC.

I love that a bunch of different words mean the same thing and yet are all slightly different at the same time. Think of all the words for that wet stuff that falls from the sky so regularly around here: rain, precipitation, drizzle, mist, showers, sleet, sprinkle, torrent, cloudburst, deluge.

I love that our language gives us so many ways to communicate our thoughts, dreams, ideas and heart’s desires.

So I was really excited when I sat down to plan my lessons and discovered that it was time to do “There’s a Little Wheel Turning in My Heart” or (in my own words) “There’s an itty bitty teeny weenie circumvolution oscillating in my cardiac organ”.  I love this song because it gives children a chance to play with words.

Did you know that a four year old knows approximately 10,000 words?  A toddler is in the business of accumulating all those words.  They learn one word per hour they are awake.

In order for them to know what to do with all those words they need to hear them work – in books and in conversation, in songs and prayers, rhymes, chants and poems – and they need to practice with them in all the same ways.   “There’s a Diminutive Castor Rotating in my Ticker” encourages playing with the building blocks of language. Nouns and verbs.

First, sing the song a couple of times as written using the original words. But, the real learning in this song occurs in what you do with it.

Next, ask your child what’s in their heart. This is not a rational question, of course, but children are not rational people so it works.  You can also ask what they love, or what their favorite things or people are.  (Be sure you have the video camera ready- they may just say “grandma”)

Then, ask what the item or person is doing. Again, it does not have to be rational.  Grandma could very well be skipping rope in your child’s wacky little heart.  Now you sing the song with their words-

Grandma’s jumping rope in my heart, in my heart
Grandma’s jumping rope in my heart!
In my heart, in my heart,
Grandma’s jumping rope in my heart!

There are other variations for types of words, of course.  A little girl in one of my classes today wanted finger nail polish in her heart. So rather than asking what it was doing in there- (we all know it was sparkling) we asked where it was.  It was on her toes. Naturally.  So now the song goes like this-

There is polish on my toes in my heart in my heart
There is polish on my toes in my heart.
In my heart, in my heart!
There is polish on my toes in my heart!

With an older child you can add some adjectives-

A blue car is racing in my heart, or
A big shark is flying in my heart

Remember, it doesn’t have to make sense; a child’s sense of humor is very primitive, and the incongruous is totally hysterical to them. Flying sharks are the stuff of laugh attacks that last for hours.

I play this game with all my students from Our Time through Young Child and beyond, so get the whole family involved.  And the car is a great place to play this one…

-posted by Miss Allison, who tells you to go for it. Play with your words.

Of course, that’s what we’re doing in class.  (If you’re not in Imagine That right now, you can find out how we build sand castles indoors during many of our upcoming Spring Mini Session(no longer available) and Summer Classes – like Creatures at the Ocean, ABC Out & About, 1,2,3 Octopus & Me, and On the Road.)

Building is a childhood favorite and jam-packed with learning.  Read on to discover how building structures strengthens each of the following developmental areas:

Cognitive: Building lays the foundation for scientific concepts such as gravity, balance, weight, and stability.  Children engage in problem solving.  “If I add another block on this side, it falls over.  Let me try it over here.”  Mathematical concepts abound: depth, width, height, length, measurement, volume, area, classification, shape, symmetry, equality (same as), and inequality (more than, less than).

Language:  Building is accompanied by conversation.  Older children talk about what they’ve built, why they’ve built it, and use their creation as the setting for pretend play. With children of all ages, adults can describe parts of the structure, ask questions, and make suggestions.

Emotional:  The best part of building a tower can be the glee of knocking it down.  Or, sometimes it falls before you want it to and you need to work through disappointment and rebuild.  (This is a great life lesson. There are many times when our first plan doesn’t work out and we need to persevere and try it again.)

Social:  Children need to learn to respect the building others have done.  They share and practice give and take so that everyone has the pieces they need.

Physical:  It takes a steady, controlled hand to add a block to the top of the tower.

-posted by Miss Anita, whose boys love to build with the wrapped rolls of toilet paper when we bring them home from Costco, and by taping boxes and cardboard tubes together, and with pillows and couch cushions, and with wooden blocks, and with…

I love “All Fall Down” from Away We Go ”. But we’ll do it in just about every class level. From a learning perspective, it works for all age groups.  And I love it because it is just plain fun.

On the off chance that you’ve never experienced the joy of playing “All Fall Down”, let me fill in the blanks a bit. There are rules that everyone follows, so that makes it a game. Everyone gets a streamer.  Parents, too. And there is music (naturally).

The music has three cues, and each cue requires a specific reaction from the players (these are the rules):

         To start, everyone lies on the floor.
         When you hear the crank, you get up.
         When you hear the music, you dance.
         When you hear the descending scale, you fall down.
         Repeat until the music is over.

Then repeat again and again and again, until everyone is tired.  You’ll be physically tired before your child is tired of the game. 

Why? Because they love this game.  Here are some of the reasons I think they love it so much and will play it over and over again.

Reason One: The need to move is so powerful in the early years that any game or activity that encourages movement is going to be a hit.  This particular game inspires total abandonment to movement- it is all about movement. Fast movement, slow movement, moving just your arms as the streamers fly all around you, smooth movements and jerky movements- it just doesn’t matter so long as you are moving. No one feels like this game is too hard. No one feels like this game is too easy. So the success rate is 100%.   

Reason Two: This game allows young children to address one of their bigger fears as new movers and walkers – falling down. Have you ever seen a child take a tumble, pop right back up, obviously unharmed, burst into tears and dash into mom’s or dad’s arms?  They do that, not necessarily because they got hurt, but because the fall scared them.

A game where falling down is the ultimate goal is a great way to alleviate this fear.  The children are in control of the falling; they learn that they can get back up again, that their brain is in control of their body throughout its range of motion. Learning to fall down helps to put the child in control of their body.

Reason Three:  The game has a surprising intellectual element.  There are no language cues that signal what to do. The child simply learns to recognize the sound of the descending scale pattern and understand that means it’s time to fall down. 

Initially, they learn by watching the grownups.  I am quite sure they learn the musical cue, because after three weeks of playing “All Fall Down” in class the children are now anticipating it; they know when it’s coming and get ready.  A pre-schooler in “Imagine That!” dashed by me today and said “It’s coming Miss Allison!!!”  and she was dead on.  (She was thrilled to be right- such success!)  And they know how long they need to lie on the floor (it’s different each time) and they don’t move until they hear that crank. Which is connected to…

Reason Four:  This game teaches self-control – how to wait, how to follow instructions, how to share the space with a dozen other moving bodies and not crash into them. It teaches deliberate listening and deliberate action.  It is a game that is full of purpose. 

It is so full of purpose that it’s easy to forget the original intent of the activity is to teach the musical concepts of high and low.  And it does that beautifully as well.

-posted by Miss Allison, who wants you to head into the living room and clear the furniture and enjoy a few moments of unconstrained, falling down joy. 

For those of you who don’t own “All Fall Down” in your music library, you can download it right here.