Growing up, I remember mom singing all the time. In church, in the Gilbert & Sullivan Society, at home on our piano, going about her everyday life. And singing me to sleep every night. She was the reason I became a musician.

So, when I am with her now, I sing, I play ukulele, I lead music time in the recreation room, and we listen to old musicals and Handel’s Messiah, one of her favorites. And mom sings back. She hums all day. Her sentences begin rationally, turn to randomness, and end up as song.

The part of her brain (the left side) where language lives has been damaged, but mom still reacts, responds to and participates when there is music.

I am not an expert in Alzheimer’s research, but I know what I have experienced with my mother. On my last visit, a nurse’s aide was leading the dementia patients in a sing along of old favorites. One of the most lucid comments my mother made during this visit was, “She can’t carry a tune,” referring to the aide. And she said this three times!

I asked the aide if she had another song sheet so I could follow along, and she happily turned over the song-leading to me. (Just try to keep a Kindermusik teacher from singing!) The group joined me happily in song, most of them remembering every word of their old favorite tunes.

Afterwards, I asked mom if I was on pitch, to which she said, “most of the time.” Well, she always was a perfectionist! For the rest of the day, I heard her singing, “Take me Out to the Ballgame.” Those were some of my happiest moments in an otherwise difficult time.

-posted by Miss Judy, who says, “My mother’s name is Annabelle, and she has always had a beautiful voice.”

Here is an article from someone who is an expert, and the author of several wonderful books about the brain, and an amazing video of a man who is revitalized with music.

Dr. Oliver Sacks, Professor of Neurology & Psychiatry, Columbia University

Where I work at a hospital and at a number of old age homes, there are a lot of people who have Alzheimer’s or other dementias of one sort or another. Some of them are confused, some are agitated, some are lethargic, some have almost lost language. But all of them, without exception, respond to music. This is especially true of old songs and songs they once knew. Read more…

“The Itsy Bitsy Spider” song is one of my earliest favorites. Remember the giddy pride the first time your fingers cooperated to make the spider climb forefinger to thumb, up, up, up? I also remember standing in a circle on the multi-colored oval braided rug in our Sunday school room as we sang and played “The Farmer in the Dell.” What songs bring back your childhood scenes? Tub songs? Bedtime songs? Car trip songs?  Consider adding those or a few new ones to your child’s daily routine.  You’ll be providing happy memories that will stick with them for life.

Even more important than placing tunes in their musical scrapbook, daily music will help your kids’ brains develop. But if you come to Kindermusik, you already knew that!  Kindermusik is based on the science of how music positively influences brain growth.  More sensory stimulation equals more neural connections, which is how intelligence develops. To get the most out of your Kindermusik investment, do your musical homework with your kids.  It’s fun that pays back.

Delight, pleasure, fun, joy….music adds all these to life. When we travelled, my parents sang their generation of pop songs. We enthusiastically learned them and sang along. (My mischievous father taught us his Navy drinking songs, too!)  What silly fun, all the more memorable for its benign naughtiness and how quickly  music made the miles whizz by.

When doing chores, “whistle while you work” turned drudgery to fun.  In my teen years, cleaning up the kitchen was my nightly job. I put on my favorite music (turned up loud, of course), which made the task fun. Named “Music-To-Do-Dishes-By,” the practice became a memorable part our family tradition. How has music sprinkled happiness into chapters of your life?  Consider passing those pleasures on to your children.

Quite simply, music makes life better. It creates happy memories and it’s good for us! Why not be more intentional about your child’s musical intake? Add more music into the nooks and crannies of your life. Sing, hum, whistle. Expose your kids to concerts in the park, classic CD’s–like Disney musicals, Tom Chapin, Farmer Jason, Putnamayo, and your own favorite playlist.  The possibilities are endless.

Cook up some music at home, too. As a child, an old ice cream tub held my cymbals, a triangle, tambourine, bongo drums, maracas and recorder flute, which made for endless musical creativity. Buy a keyboard, or a piano, or guitar so they can experiment. Musical fun helps create a happy family life.

 Make your house a place where your children can easily dish up all the music they want.

-posted by Donna Detweiler who is glad that through the library, radio, and community events, incorporating good music into her children’s lives can be very affordable!

A week into class, I was thinking my SAT scores had put me in the wrong class. I double checked, but nope, I was where I was supposed to be. It had been SIX years since I had cracked a math textbook. And yet, this stuff called Algebra was easy! I finally understood math. It was all about patterns.

Halfway through the semester, my math professor called me into her office, and said that I really should be in a much higher level math, and had I considered a math minor? Uh, nope. I hated math. Well, wait a minute. I didn’t really hate math anymore. It made sense, and I actually liked being successful at it.

It didn’t take me long to figure out why. If you’ve ever spent time in the dungeons of a music department, you’ll soon discover that 95% of the double majors are music and some sort of math or math-heavy science. The french horn and bassoon players (being generally both the smartest and funniest and strangest of the music breeds) are the astrophysicists, the biochemists, and the aeronautical engineers. (Oh, please, don’t send me nasty emails if you are a clarinet player with a job in the field of quantum mechanics. I’m sure there are brilliant clarinetists out there, too!)

I realized that my 5 years of music theory was, like math, all about patterns. The music had somehow trained my brain to comprehend math.

Years later, when I started learning about how music helps develops the brain, I found a much more sophisticated answer. Imaging studies have shown that mathematical processing and musical training activate the same areas of the brain.

It appears that early musical training begins to build the same neural networks that will later be used to complete mathematical tasks. Although I played an instrument starting in 5^th grade, I didn’t really have any good musical training – theory, private lessons, Kindermusik, etc.

So, my years of music theory, ear training, piano, conducting, private lessons and singing in college really did help those neural networks to grow. How I wish I’d had music training when I was very young, all the way through high school. I might have liked math better.

Of all the academic subjects, music and math are the most closely related. Music and math both require lots of counting. Within that counting, there are musical intervals, (the difference in pitch between two notes), and the math counterpart, arithmetic and geometric sequences.

Playing music also requires an good understanding of fractions, including adding and subtracting them. Reading music notes is dependant on comprehension of ratios and proportions – how long is a half note compared to a quarter note? How do you play triplets against sixteenth notes?  Geometry is used when remembering finger and slide positions.

My heart introduced my children to music for love, and joy, and pleasure. My head introduced music to my children so I could give them the very best start in life. Even if they don’t follow in my footsteps and become a music major, they’ll still reap the benefits their musical experiences.

-posted by Miss Analiisa, who is tickled when her violin playing 4^th grader asks his instructor to “teach him some theory”.

The researchers gathered two groups of college students, gave them all an assignment to do, and put them in two separate rooms.  In one room they played Bach and Dvorak – both classical composers.  In the other room, they played hardcore techno rock.  (I really don’t know what that means, but it does sound really awful.)  When the music/homework time was over, a group of professors went into each room and harshly critiqued the students’ work.

Can't you just hear the irritating music?

Now the study got interesting.  The students in the techno room and the students in the classical room reacted differently to the criticism.  The techno students were much more likely to get angry than the classical students.  Listening to the techno music increased their levels of aggression, and decreased their happiness levels.  I’m sure the students who listened to the classical music weren’t happy about having their work reviewed so harshly, but they didn’t respond the same way as the other students.

I recently had a similar experience.  Last summer, we took our teenage sons and two friends to the amusement park in Idaho.  It’s a six hour drive, so we took turns choosing the music we would listen to.  Nathaniel, my 15-year-old son, got the first pick.  He chose Led Zepplin.  I was playing Tetris, and after the first song my game started to fall apart.

After the third song, I couldn’t stack the square pieces on top of each other, let alone make the zig-zags, and the Ls, and that other shape go together properly.  It was really irritating.  I usually play a nice clean and tidy game of Tetris.  I can “fix” a tower with multiple holes and get my stack back to solid square.  I very seldom ever clear a single line – the game is Tetris, right?  So I clear four lines at a time.

This was the worst game if Tetris I had played in years.  And I was really irritated about it.  We stopped for gas and I snapped at all four boys to clean up their snack mess, and not to wander off, and to be polite in the gas station.  They stared at me, kinda shocked. I like these kids, all of them, and seldom snap at them, even when they track filthy mud in the house, and leave their backpacks in front of the door and I can’t even get in the house. (I do make them clean it up, but with a smile and a joke.)

Gotta be Brahms or the Beatles.

By the time all eleven songs in the playlist were done my shoulders were hunched up and my skin hurt, it was crawling all over the place trying to get out of the car and then, thankfully it was my turn to pick the music.  We listened to Brahms, and I apologized for being snappy less than halfway through the first song. It was an instant fix for me.

As a footnote, Nathaniel does listen to some dreadful music, and he likes it really loud.  But recently I’ve noticed that he plays the really awful music for a little while, and then it gets swapped for Glad and the Nylons and Straight No- Chaser and the soundtrack to Glee and some wacky song sung by a Russian Bass who only says OOOO…. And I hear the Beatles and the Monkees, and I hear hope… hope that Led Zeppelin may be on the train heading out of the front door of my house, along with the other stuff that makes me cranky, so cranky I don’t even want to know their names.

-posted by Miss Allison, who wants you to head over to Facebook right now to continue the conversation by telling her what music totally drives you up a wall, makes you completely cranky and irritated, and what music  soothes your soul.

There are two parts to self-control. The first is inhibitory control, which is the ability to stop what you are doing and wait. (The other part is impulse control, which is the ability to stop an idea or thought from becoming an action.) But as inhibitory control develops first, we’ll begin there.

In class, we’ve been playing with a chant called Giddy Up Horsey. You can do this at home, too. Put your child on your lap on the floor, and say this chant and as you bounce:

Giddy up horsey, giddy up horsey, giddy up horsey, go, go, go! Bounce your child up and down.

Giddy, up horsey, giddy up horsey, giddy up horsey WHOA!! When you get to the whoa, stop bouncing, and lean back with your child and stop. Wait quietly for a moment. Keep repeating the whole thing until the giggles subside.

Then in class, we’ve been getting up and riding stick horses around to the same chant, stopping our ponies and waiting to be told to “go” again, (the inhibitory control part) after the whoa.

Miss Allison had an interesting observation this week. She said that because the grownups were in charge of the child’s body during the bounce, they were showing the children how to control their bodies (how to stop at the appropriate time). The grownups were teaching the children the pattern and the how of the going, stopping, and waiting.

When the children got up on the stick horses, they were more ready and able to control their own bodies. They were familiar with the pattern, and could anticipate the whoa. Miss Allison said that in classes that did the bounce first, before the pony riding, the children had a much higher success rate of demonstrating inhibitory control when in charge of their bodies during the pony ride, than the ones who just did the ride.

That fits with what we always say – You are your child’s first and best teacher.

So, do a little bouncing this week. And keep your eye on the blog. I’ve got an idea about how to make a really adorable stick pony to practice the riding and stopping and waiting (cleverly disguised inhibitory control practice). I just need to get the idea out of my head and take some pictures of the process. I promise – under $5 and NO sewing!

Oh, I almost forgot. For a fun stop and go game at home or in the car, check out this cute idea.

-posted by Miss Analiisa, who will practice some pony riding every time she’s having difficulty practicing either inhibitory or impulse control around that Godiva sea salt dark chocolate.

What I learned about a month after school started was that he just needed to use his musical brain in other ways.  He was practicing shapes and patterns one night at the kitchen table for homework when I glanced over and saw something amazing.  He was making music with math.  (Only a trained Kindermusik mom would notice this.)

His repetitive patterns with numbers sounded musical when I read them aloud.  It was more than just the typical 1-2-1-2-1-2.  It had rhythm.  I sent it to Miss Allison, our local Kindermusik scientific music specialist.  She also saw the beat and just for fun sent back the numbers in musical alphabet.

My kindergartener, without knowing, was continuing to make music.  His brain still retained his Kindermusik knowledge.  I played the mathematical notes on the recorder with the joy of one discovering the cure for the common cold.  He just snubbed his nose at me before dumping a pile of Legos on the floor.  I smiled.  There IS life after Kindermusik.

My kindergartener is not physically going to Kindermusik classes any more but after five years it was time for his brain to move on.  His brain was remembering and using what he learned for more than just silly dances and colorful shakers.

My anxiety decreased as I held his little brother’s hand to his first session of Imagine That.  The baby was now off to learn music in his own space, with his own friends.  Practicing his own independence.  Kissing time was a quick peck on the cheek as he ran by sideways.  On the way out the door I looked back .  Those baby snuggle days were over, but watching the singing and silly dancing happening at that moment without me was not the end.

Kindermusik was not just for the kids.  It’s been music for all of us.  We will still make up songs and dance silly in our own ways at home.  When classes are over at the end of the day, the music goes on.  At bedtime my boys, 6 and 4 years old, still wait for mama to give snuggles and sing “Hush Little Baby and Ally Bally.”  Life after Kindermusik?  Absolutely!

-posted by Kindermusik mama Heidi Forrester,  whose children now want to learn the electric guitar and the bassoon.

In fact, as I write this, I am sitting here doing my best to force motivate my violin player through his practice.  It’s not always easy. He’d rather be playing Xbox, or tug-a-war with his dog, or making up stories with his Halo Megabloks – anything but practicing. (Except, well, taking a shower and washing his hair, of course.)

But I know something he doesn’t. Finnish researchers (Did you know my maiden name was Koivisto? Maybe that’s one of the reasons why I like these scientists so much) have just developed a new method that shows the wide neural networks (including motor, emotions and creativity) that become activated all over the brain as music is listened to. Now scientists have an even better way to understand how music affects us.

Just like eating your vegetables and fish and getting enough vitamin D have a profound impact on my children’s physical health and development, regular music lessons/classes from an early age increases my children’s ability to learn. That’s a scientific fact, not just my opinion.

Here are a few examples of how scientists and researches believe music helps the brain:

• Studies have shown that music lessons/classes assist the brain to process sounds more efficiently. This means that when your child is trying to stay focused on reading a history text in a noisy classroom, he or she will have an easier time concentrating than a non lesson taker.
• Fast forward to a grown up job in one of those tiny cubicles. Multi-tasking and concentrating in a busy, loud office is an essential skill, one your violin player is much more likely to have.
• One researcher has found that the silence between two musical notes triggers the brain cells and neurons, which are responsible for the development of sharp memory.
• Other studies demonstrate that children who undergo musical training have a better verbal recall than those who have none. The amount of information that can be recalled increases the longer their period of musical training.
• Learning a second language is mandatory for high school graduation. Musicians are much better than non musicians at discerning the subtleties in pitch in foreign languages. This is especially helpful for tonal languages, like Mandarin.
• Coordination and concentration are also improved when a child takes instrument lessons. Think about what a flute player does all at the same time – moves both hands, reads music, listens to the players around him, watches the conductor – that’s a lot to coordinate!
• We know that music stimulates the areas of the brain that are responsible for planning and analyzing, thereby improving your organizational skills and making you more capable of handling math, reasoning and other cognitive tasks.
• And I think most importantly, when a child masters a piece of music or a difficult technique, it provides a sense of accomplishment, and gives a boost in confidence that spills over into all areas of life and produces a desire to tackle more challenges.

I want my children to grow up and have a good work ethic, an eagerness to try new things, the ability to reason and think, and the confidence that they can successfully navigate life.  The music they participate in now will help them accomplish just that.

-posted by Miss Analiisa, who is going to make salmon burgers tomorrow night for dinner. After she wrestles her violin-playing 9 year old into the shower in the morning.

Can’t you just hear that song in your head right now?  I also remember sitting next to our stereo speaker, asking my dad over and over to replay “The Chipmunk Song” (Christmas Don’t Be Late).   Now, if you were a kid in America in 1958, (see picture of my older brother and me), the previous sentence should immediately trigger your memory to play that silly melody.

What song does this snowy picture immediately remind you of?  Yes, “Frosty the Snowman!” Did you brain “play” it for you when you thought of it?

This silent, “inner hearing”, or audiation, is the ability to “hear” music when no musical sound is present. When you audiate, you have internalized and are “thinking” music. For example, have you ever found yourself with a song “going through your head?” You’re audiating! Being able to hear music in this way is an important part of musical literacy, just as being able to think thoughts without speaking them aloud is an important in language and thought development.

Dr. Edwin Gordon defined audiation as “the hearing and comprehending of sound that is not physically present.” According to Gordon, “audiation is to music as thinking is to language.” Just as children babble before speaking and thinking in language, they also progress through steps in music before they fluently speak and think in music.

Tips for parents: This is a fun game to play with in the car, in the kitchen, or while cuddling on a lazy Saturday morning when the children pile in bed with you. Start singing a favorite song, and then stop before you sing the last note of a phrase or the end of the song. Wait and see if your child sings it for you. If he does, he is successfully “thinking music,” or hearing it in his head.  – Theresa Case

What I think is really cool, (being a music geek), is all the ways we can use this “inner hearing” in our everyday lives.  When someone asks you, “what is the 10^th letter of the alphabet?” your mind automatically plays the ABC song to help you find the letter “J.”  When faced with a word we do not recognize, we “sound out” the syllables in our heads to try to figure it out. (Like the word, “audiation”)!  We use familiar melodies to help children with everyday tasks when we sing, “toys away, toys away,” or “this is the way we brush our teeth.”

In Kindermusik classes, we practice “hearing the music inside” in many different ways:  Asking children what a bear or a train sounds like before playing the sound clip for them, leaving out successive words in “Head, Shoulders, Knees and Toes,”  or the letters B-I-N-G-O in you-know-what song.  We take familiar melodies and change the words to suit the situation, as in “Got a Rock in my Pocket.”  We then use this song as a humming activity.  Humming is another way of “hearing the music inside,” as we usually think of the words of a song while making humming the notes.  We expose children to many types of music to provide them with a broad and varied musical vocabulary on which to build their future musical experiences.

And remember, when we share all these musical experiences together in class, whether playing drums to “African Noel,” dancing to “The Sugar Plum Fairy,” or rocking to Greensleeves, we are sharing all of our collected memories and feelings about that music with all the other children and grownups in class.  We all bring to each activity our own life experiences and are allowed to share in the joy of the moment with others, in addition to creating new ones for our children.

One more picture for you, so I’ll know what classic song is playing as your part of “listening to the music inside.”

-posted by Miss Judy, who constantly gets music “stuck” inside of her head, and loves it!

Question: Is it typical for each class to be very similar each week? We’ve noticed that we are singing the same songs each week and I’m hoping that the class changes a bit from week to week. Could you let me know?

Answer:
Your question was both astute and excellent. That tells me that you are paying attention in class! (Which is wonderful, since seriously, I’ve had a few mommas that text the entire class time!)

While we as adults may quickly tire of an activity, it is important that we recognize the importance of repetition to our children’s learning. Learning, or the growth of neural connections in the brain, is strengthened through repetition. A one-time experience is not enough for a neural connection to form and stabilize. It is through repetition that possibility becomes ability. That is why Kindermusik activities are repeated over and over.

We will, however, do “extensions” of activities. The brain loves to be a little surprised once in a while; a surprise causes the brain to pay extra attention. One week we might sing a song, the next we’ll sing the song and add a manipulative. We might do the same lap bounce for 5 weeks in a row, but change up the words in the 4th or 5th week. This allows children to have mastery of an idea before we add a new one.

Three interesting facts :

1. Learning requires electrical energy to create neural pathways. The less “automatic” something is, the more electrical energy is required. Think of something you do automatically – like count by 10′s. It takes very little electrical energy for your brain to travel that “counting 10′s” neural pathway, because you’ve done it a lot.

The more well-traveled a pathway, the less energy is required. That’s why you can do two things at once. Watch TV and knit, for example. When you are first learning to knit, it takes all of your effort. Looking, counting stitches, watching your needles. As it becomes automatic, you use less brain energy, so you can layer another activity on top of that without fear of accidentally turning those mittens into a hat instead.

Communicating Neurons

2.  Did you ever wonder why children expect a favorite activity to be repeated again and again and again? Repetition is a necessary building block of development. Children’s brains KNOW that they need repetition. They are pretty smart little creatures! Do you remember the show Blue’s Clues? (Never the same for me after Steve left…). The creators did research while developing the show as to what preschoolers wanted to see in the show, and you can probably guess the answer by now – repetition!

3. So what about the fact that we always have a hello and goodbye ritual, a bounce, a steady beat, rocking time, and story time (in the older classes)? As my friend Heather Wiebe says (she a Kindermusik teacher in Alberta who is fascinated about the way the brain works, just like me) “Patterns make children happy.  Knowing what to expect and having things happen in that way not only helps children know what to expect and feel at ease, it’s also how they mark time.” When the environment and routine is predictable, then a child feels safe and learning can naturally happen.

We know you’ll be ready to move on to another activity before your children will (believe me, I’ve been there three times with my own kids!) know that you’ll get new music and activities soon enough. And a Kindermusik Education is the most powerful tool you can give them now, for future success in school, work and life.

-posted by Miss Analiisa, who would love you to email her and let her know your questions. (She can’t read your minds, you know. She does have eyes in the back of her head, but not mind-reading powers. Though now that her children are getting older, wonders if she can trade those extra eyes in for psychic abilities. Or maybe she doesn’t want to know what is going on in there!)

Take a standard American march like Stars and Stripes. A march has a steady, predictable beat. If you were to clap along, you would automatically clap on beats 1 and 3(unless you were the tuba player – who has the syncopation on beats 2 and 4).

Our brains love steady beats, because the brain loves to find patterns and sequences. In fact, if you listen to music that has a steady, predictable beat (like that march I mentioned), after a while, your neurons actually begin firing at the same rate as the beat of the march.

But as humans, we like patterns only up to a point. After that comes boredom, and we stop paying attention. But when the pattern changes, we begin paying attention again. Syncopation tickles our brains, so to speak. Our brains search for the new pattern, and the sense of unpredictability that comes with change is fun and interesting to both your brain and your soul.

Think about it – when you hear syncopated African or Latin music or Jazz – it makes you want to smile and move, right? The beat is unexpected and interesting.  Take a listen to Leroy Anderson’s “The Syncopated Clock”.  In Village class, we’ve been listening to the jazzy Hop to It. That’s syncopated, too.

But what does this have to do with your little one? Let me explain. You want your child to eat a wide variety of foods, to like an assortment of flavors, textures, colors and shapes. Even if they ask for the steady, predictable mac-n-cheese and chicken nuggets every night, you still want them to have a balanced diet.

The same is true for music.  Our children need a variety of musical experiences. Life is richer and more interesting with a varied diet of music. And some brain tickling.

-posted by Miss Analiisa, who has been feeling rather bored the last couple of days, and feels in need of a brain tickle in the form a new project of some sort.