Studio3Music Blog

Posts Tagged ‘dancing’

Jan
11

Playing with Tempo

Posted in Child Development, Imagine That, Things to do, Uncategorized

We’ve been playing with tempo recently in Imagine That.  Preschool age children love learning tempo, because no matter how long we spend on slow, they know we will eventually get to fast – and that means running!

Tempo allows us to introduce some of the beautiful Italian terminology that all musicians use.  Largo means slow. Adagio means moderately slow, but largo is the very slowest tempo marking there is. (I do admit, though, that the word adagio is a more beautiful word than largo…) 

When a child moves their body slowly, they are mastering gross motor muscle control.  I love to watch them move in slow motion because they don’t really know how to move slowly. Some of them do a stop motion technique – they move and freeze, then move and freeze over and over again. Some of them inch along; their bodies full of tension and seemingly ready to explode with full-blown motion at any instant. 

kids-moving-lentSome of them just stop and watch me (We do lots of slow motion activities in acting classes, so I am really good at it!) I know they are watching me so that they can figure out how to do it – and soon they begin to try to stretch out their movements, and extend their limbs to the farthest point away from their bodies. Their facial expressions slow down and delight fills their eyes as they begin to realize that they are suddenly in control of this marvelous thing they call their body. 

Because, let’s face it, when you’re a preschooler, you very often feel as if your body is in charge of you. The need to move is so overwhelming that even when your internal child knows you need to sit, like for circle time, your body is demanding that you move, and mostly you feel powerless to stop it.

Learning to move slowly assists in giving your preschooler the much needed confidence they need to know that they are, indeed, in charge of their body

A Simple Way to Practice at Home
Put on some slow classical music and have a slow motion dance. You may need to invent a story (boys are more likely to require a reason to move slowly) to explain WHY you want them to move in slow motion. Maybe their super hero persona has been zapped by a slow motion ray by their arch nemesis, or their fire fighter persona is trying to walk through a vat of maple syrup to save a kitten in a burning tree… any little scenario will do. A prop will make this game more fun and loosens up their inhibitions- and yours too! Scarves and streamers are really good options. For you super hero – a cape is always best.  

Don’t have slow classical music? Go to iTunes and search for LARGO. Most classical composers named their music in descriptive terms, so the tempo setting is often listed in the title. I also searched for LENTO (just a little faster than Largo) and ADAGIO. One word of caution: I would steer away from anything with lyrics because the story in the song may inhibit your child’s motions, and creativity. Instrumental music allows them to create their own story.

-posted by Miss Allison, who sends you off you to search for LARGO. Let today be a cyber shop and dance till you drop day!

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May
18

Fiddle Dee Dancing!

Posted in Our Time, Things to do

fiddle-dee-dancingWhen was the last time you danced around your house? Oopsy Daisy Fiddle Dee Dee (CD #2 – Track 21) is a great dance to do at home.  Join hands in a circle of two or more people.  Then, dance in a circle.  On “fiddle dee high,” drop hands and raise them to the sky.  On “fiddle dee low,” put your hands down to the ground.  Then join hands and circle again.  Follow the instructions in the lyrics.  Be sure to listen for the tricky part at the end where the pattern changes a bit and the chorus is repeated twice.
 
Here are some of the many payoffs for this activity:  the concept of opposites, the meaning of high and low, patterning, musical form, physical coordination, the joy of a shared experience, increased heart and lung function, and listening to musical cues.

- posted by Miss Anita, who knows that all of you reading this may not have a Fiddle Dee Dee CD.  That’s no excuse!  Find some music and get dancing.

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Apr
23

Why Do We Dance?

Posted in Bits and Pieces

Who do you think said this?

“We dance for laughter.
We dance for tears.
We dance for madness.
We dance for fears.
We dance for hope. 
We dance for screams.
We are the dancers.  
We create the dreams.”

Take a guess and then take a look.

Now you know why dancing is such an important part of every Kindermusik class. As Plato said, “To sing well and to dance is to be well educated.”

-posted by Miss Anita, who loves to dance with her feet, her ideas, and all of her families in class!

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Apr
21

Dance to Learn: Preschoolers & Classical Music

Posted in Child Development, Imagine That, Our Time, Things to do, Village, Young Child

The Class Dance – Maypole to Gavotte in G

maypole-danceThere are a few class activities that always kinda make my blood run cold when I think about them beforehand.  One is the maypole dance to “Gavotte in G.”  We do it in Village and we do it in sharing time for Imagine That.

I don’t really know why it scares me.  It always works, and the kids always love it.  But the thought of doing something so structured with preschoolers and their parents, while I am completely covered by scarves and unable to see anything is a bit daunting for me.  Also, because it’s a group activity that requires me to be tied up in the middle, we can’t practice it before we start the music.  All I can do is to show the steps, and hope…

Well, like I said, it always works and everyone always loves it.  At least one kid per class asks to do it again.  And of course, we do it again because it’s even more fun when we all know what to do. 

Directions for An At Home Version of the Dance
Here’s a variation you can do at home with your child. You probably don’t have enough people at home to create the maypole effect with scarves, but that doesn’t mean you can’t do a version of the same dance we did in class.  The music is on your Cities Home CD #2, “Gavotte in G.” 

Stand across from your child (like we do in a line dance), each of you holding onto one end of a scarf.  (Two scarves is even better, one for each hand stretched across to your partner.)

“A Section”
The first part is called the “A section.”  It is solo classical guitar.
Swish your scarves for 16 counts.
Take 4 steps to the child’s right in a straight line, no curve! (Since you are facing each other, you, the grown up, step to the left.)
Then, swish for 4 counts.
Lift your scarf/scarves and twirl under, swish for 4 counts.
Take 4 steps to the child’s left (your right this time).
Swish for 4. 
Lift and turn for 4.
Swish for 4.

“B” Section
You’ve now arrived at the B section and a flute joins the guitar. (In class, this is where the kids take turns going under the “Dream Cloud”).  For the variation, you will do open movement.  So, each of you takes one scarf for free dance.  You have 12 measures to cut up the rug.

“A” Section
Now you repeat the A section again.  The flute section winds down to a definitive end so you can feel the end coming and be ready to start swishing again.  (Since you swish for a whole 16 counts, if you are a bit late it’s not a tragedy…so long as you can keep track of the beat!)

One more “B” section.  Cut up that rug again!

Finish with one more “A” section, with an extra turn at the end to finish it off. Or, if you’d like to be bit more decisive at the end, you can curtsey and bow, instead of the repeating the turn.

Here’s the Learning
Combining movement with listening allows the very busy pre-school child a chance to integrate the music, and understand with their bodies the very organized nature of the classical music they are hearing.  They still need to move to learn in this age group, so pick some classical music and dance, dance, dance!

Try it With Other Music!
Most music from the Baroque (Bach, Hayden, Vivaldi) and Classical (Mozart) periods is very structured and has distinct patterns that can be broken down into movement sections. As you create some simple steps for each section, your child  “hear” the patterns in the music.

Try a steady beat kick, a turn, a swing your partner Renaissance style (palms together, with a dignified turn, rather than elbows linked with a wild swing), walking on the beat in a specific direction, and trading places across the line.

Adding a prop, like the scarf, opens up your movement options.  Add a swish, or a drag on the floor in a circle, or a swing your partner with the scarf in between (the center of the scarf between you is like the pivot point). Whatever you choose, assign a specific movement to a specific section of the music and you have created a dance that allows your pre-schooler to learn!

-posted by Miss Allison, who sells humungous scarves if you’d like to buy some for dancing at home. (Your teacher can bring one to class for you too.)

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Mar
8

Dancing with the Babies

Posted in Things to do, Village

mom-baby-danceI think it’s obvious that I love circle dances. I love the babies’ excitement as we come in and out of the circle, their gleeful laughs as we swoosh, and their feet kicking in joy as we go up and down. I love it when babies toddle into my classroom, completing ignoring the basket of developmentally stimulating toys and sign to me “more dance please?” I love the sense of community that dancing builds in the classroom. I love circle dancing. I just do.

However, I realize that this is a classroom activity. Unless you have 4 children at home AND live in grandparents, your dancing experience at home will be very different than it is in class. Most circle dances can be modified to be a line dance with daddy. But how do you dance with your little one when Daddy is at work, and brother and sister are at school? That’s why I love activities like the “Sonata for Flute”. (It is track 20 on your Hickory Dickory Tickle and Bounce CD.)

The structure of the piece is ABA, meaning that the beginning and the end are the same with a section in the middle that is different. The steps also reflect this pattern. The A section is comprised mainly of “side side round and around” and four “downs” followed by “up up round and around.”

The B section is mostly “quick/slow” and “curvy /straight” with an occasional “up up round and around” thrown in to complete the musical phrases. This kind of structured music gives baby a feeling of order in their rather chaotic world. It also primes their brains for math later in life. After all, mathematics is nothing more than the study of patterns, and music is full of patterns. When a dance is added to the music, the structure of the pattern becomes physical and visual as well as auditory, so we address the whole child when we teach patterns through dancing.

There is also an element of de-coding that occurs with a structured dance. When we hear X, we do Y. “Tants Tants Yiddelek” from Dream Pillow (track 7) is a good example. Whenever the tuba carries the melody, the babies go up and down in a random way. (That’s the “wacky babies!’” part that they LOVE so much!) Each section of music in that song has a particular step that belongs to it. But there isn’t really a pattern, the steps don’t always come in the same order. The steps start when the corresponding music starts. So, it’s a decoding process rather than a patterning process. The “Sonata for Flute” is both a decoding dance and a patterned dance. (The musical phrases are longer and more complicated than “Tants Tants Yiddelek,” so they are harder to identify, but they are there! You have that nifty narrator to guide you through.)

The movements for the “Sonata For Flute” are designed to stimulate different developmental needs for your child. The up and down movements allow baby to experience gravity and get a sense of where their body is in space. The lateral movements (sideways and straight) provide a comforting and relaxing feeling for baby and the rotary movements (curvy and round and around) are stimulating. Changing the babies position often during the dance allows the baby to see things from different perspectives, and enlarges their world view. It also gives your very tired “dancing-baby-arms” and your “aching-mommy-back” a chance to rest.

For those of you who have been in Village for a while, it is great fun to go back and repeat dances now that your baby is a little older. Some of my favorites from this year that translate easily into one or two partner dances are:

1. “Dance Little Baby” ( track 11 on Dream Pillows) Make this a line dance with Daddy, or by yourself. When you are doing it alone be sure to turn the baby so that they see you on “up to the ceiling, down to your toes” since there is no one to connect with emotionally on the opposite side.

2. And, of course, “Tants Tants Yiddelek.” (Dream Pillows track 7). To modify this one, make your circle grapevine in a line with daddy across from you.

3. From Zoom Buggy try “Trav’lin Round” (track 3).

4. And from our current curriculum, transpose the basket dance we did for “The Tailor and the Mouse” into a movement pattern. Move in straight lines on the introduction and ride-out, a big circle on the verse, and small spinning circles on the refrain.

- posted by Miss Allison, who encourages you to dance on a rainy day to brighten your mood, dance on a sad day to lighten your load, dance on a good day to celebrate your riches, dance in the sun to strengthen your resolve, dance in the dark to shatter your fears. As Lord Byron said – “On with the Dance! Let joy be unconstrained!”

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