If you’ve ever come to a Kindermusik class, you’ll notice that we will have a steady beat activity every week, in every age group. It might involve shakers, streamers, or drums. Or singing, chanting or lap bouncing. Or maybe moving our bodies or dancing. Or even stomping, gliding or tiptoeing.

A baby hears a constant steady beat (mom’s heartbeat!) by 22 weeks after conception. And every infant is born with the ability to keep a steady beat – his own internal beat.  Sometimes in a Village class, a piece of music will match a baby’s own beat, and you’ll see him or her banging away in perfect rhythm!

Steady beat for babies:
Exposure to steady beat (hearing it, feeling it, “seeing it”, being moved to it) is important for a baby’s developing sense of steady beat. An internalized awareness of beat will help him to coordinate his movements.

A baby who is beginning to internalize a steady beat will show it through rocking, nodding, patting and kicking. Later she’ll be able to demonstrate steady beat through clapping and playing a drum to a steady beat.  Steady beat will be a key factor in his learning to walk.

Steady beat for toddlers:
Children 18 months through 3 years old are learning to control and coordinate their body’s movements. The ability to keep a steady beat helps in walking with a smooth gait, leading to running and jumping with confidence.

It is at this age that feeling and moving to a steady beat develops the ability to organize and coordinate movements with proper timing – like bouncing a ball and catching it.

Steady beat for preschoolers:
Steady beat competency is central to the development of movement organization, such a marching in time, dribbling and shooting a basketball, using scissors and writing smoothly. Being able to move their entire body to a steady beat leads to the ability to speak and read with a smooth cadence, thereby enhancing communication abilities.

Interesting steady beat facts:
A sample study was done of first and second string NFL players.  100% of the first string players could maintain a steady beat without any external stimulus for 45 seconds.  Only 50% of the second string players could accomplish the same.

Tests show that children with steady beat internalization are better readers and more successful in math. Children with better abilities in steady beat are reported to be better behaved in class and have less aggressive physical contact with other students.

It is well-known that a stutter does not stutter when singing or using a steady beat while speaking. A stuttering student figured out her own solution: when she wanted to answer a question, she tapped a steady beat on her leg before speaking. This allowed her to answer without stuttering.

As the result of a study done in 2002 by University College in London, scientists believe that a poor sense of rhythm could be the cause of dyslexia. “Researchers concluded that an awareness of beats can influence the way young children assimilate speech patterns, which may in turn affect their reading and writing abilities.”

Steady beat helps children to understand and organize their world. So if you are going to run with scissors, make sure you’ve got a good sense of steady beat. You’ll run more coordinated and smoothly, and thereby be a little bit safer.

-posted by Miss Analiisa, whose mother reported that at 2 weeks old, Analiisa consistently rocked in time to a piece of classical music that had been often played while she was in utero. But sadly, she was a horrible basketball player.

We all know that opposites attract!

Did you know that children learn concepts best in opposites? It’s why in your Kindermusik class, you’ll learn fast/slow, smooth/bumpy, high/low, among many other pairs. It’s why in school, addition and subtraction are taught back to back. It’s why when you begin to drive, your teacher makes sure you know where both the brake and the gas pedals are!

Learning opposites enhances vocabulary and word association, encourages sensory and motor development, develops discrimination and classification skills, and provides plenty of opportunity for fun games. The farther apart the opposite (black and white, hard and soft), the easier it is for children to master the concept. When you add an interactive approach, this learning becomes highly enjoyable.

Here’s a few “opposite” activities:

When doing these, be sure to label the opposite words. (It’s pretty easy to forget to do that, as we adults already know the vocabulary!)

• Try tasting some opposite things like sweet sugar and sour lemon.
• Sort round cans and square boxes when putting away the groceries.
• Music is full of opposites. Put on your favorite piece of Kindermusik (or music with pitch or tempo variation), and move high and low, or fast and slow.
• Sing a song silly! (High and then low, or fast and then slow.)
• Move. Go and stop. Take big steps, and little steps. Go under, go over.
• Open and shut the doors. Or cupboards. Cause seriously, if they don’t learn both opening and shutting in a pair now, your fridge is going to constantly be left open when they are a bit older!
• Identify back or front. Left or right. Short and tall. Boy or girl. Young or old. Dirty or clean. Empty or full.
• Feel the objects around you. Hard or soft? Rough or smooth? Hot or cold?
• Read some opposite books, and talk about what you see. Here’s some favorites: Dinosaur Roar, by Paul and Henrietta Stickland. Big Dog, Little Dog, by P.D. Eastman. The Foot Book, by Dr. Seuss.

Even babies learn opposites. Talk to your baby as you go throughout the day, and emphasize the opposite words with your vocal inflection. “I’m going to pick you up.” “We are going down the stairs.”

Really, the possibilities are endless. Just have fun with it!

-posted by Miss Analiisa, whose two oldest children are oil and water.

Babies and toddlers enjoy blowing. As they practice blowing, they strengthen mouth muscles and develop awareness of their breathing, which will help their language development.

With preschoolers and early elementary, blowing develops their diaphragms and builds muscle control necessary for singing and wind instrument playing.

Blowing also helps children become aware of the fact that they can use breath to make a variety of sounds, move things, blow out candles, or create a cooling breeze.

Blowing for all ages
Blow kisses – even babies can do this!
Blow through a straw into your milk, juice or water.
Blow bubbles
Play a slide whistle or a harmonica (like the one in this semester’s Our Time)
Put a dab of watercolor or thinned tempura paint on a piece of paper. Blow on it with a straw and make beautiful designs.

For older children
Put a fluffy craft feather partially into the end of a drinking straw. Blow on the other end and see how far you can make the feather fly!
Place a ping pong ball on the table. With players on each side of the table, try to blow it off your opponent’s side with a drinking straw.
Whistle
Play a duck call or kazoo

-posted by Miss Analiisa, who wants you to breathe in through your nose, and blow out through your mouth three times right now. Don’t you feel calmer?

So although your play set (see my blog post yesterday), and your literature books don’t seem related – they are.  These components of your At Home Materials provide different ways for your child to engage the world of words.

Books offer a wonderful source for children to hear our language in action. There are lots of things you can do with a book besides reading it: count things, identify objects and colors, find opposites and matches. But the text is the heart and soul of a book and together with the illustrations, they create another reality for your child to visit, rhymes to discover and characters to fall in love with. 

Your Kindermusik Literature Books aren’t related to the toyshop plotline of this class. As Jack and Hans travel around in the “trips” portion of the plotline, they meet storytellers everywhere they go – and reading is an integral part of the Kindermusik classroom experience. (A lot of parents wonder if the books should “match” the curriculum, but it’s really all about good literature and the specific developmental purpose the books serve.)

Story time in class is a social experience. Yes, it’s about the book and the language, but it is also about the jostle in the circle, making sure everyone can see, learning to wait your turn to contribute to the conversation about the book, using words to solve the social difficulties that happen whenever more than one child is on the same physical space.   

The reading you do with your child at home serves an entirely different purpose – you can focus more on the text, illustrations, and content. A book read at home can be twice as long as a book in class. A child will sit in your lap for much longer than in a crowded circle on the floor. The emotional grounding that full body contact provides gives you the opportunity to really delve into a book. 

Here’s a really fun thing to do, even if you don’t have Tippity, Tippity, Too: You are going to read the lines in a slightly different order than written in the book.

Read: Tippity tippity too. Who are you? Tippity, tippity tat. I am a ­­­_____. Your child will see the visual cue on the page and fill in the word “cat”.

Do this for each page. The last page has a whole bunch of animals on it, so all you need to do is repeat this same pattern, adding a “t” in place of the first sound or blend of the word. Like “tamel” for camel, or “tion” for lion.

Now use this same pattern for items in the room (you might need to point at the object if your child needs a hint): Tippity tippity too. Who are you? Tippity, tippity tireplace. I am a ­­­_____.  (fireplace)

Finally, use this for names of people your child knows, even if they aren’t in the room. This is sure to produce lots of giggles! Tippity tippity too. Who are you? Tippity, tippity Tindy. I am ­­­Aunt _____! (Cindy)

-posted by Miss Allison, who encourages you to have fun with words wherever you go!

I love the play set for Toys I Make, Trips I Take.  I know I always caution you in class not to open the play set in class or in the car….all those little pieces just begging to be lost or ripped by little fingers anxious to play with them. 

But, when you get home, I want you to punch out the play set pieces for your child and put them in a container that is easily accessed.  (The zipper pouch they come in is a great place to store the pieces, and the set background can go in their backpack.) The play set is a wonderful way for your child to re-create the story from class, and to create their own story variations.  

Your child’s play set is a doorway into a world of their own making. The play set opens to a universe that has been carefully crafted to encourage language development.

When your child gets the play set out and begins the process of acting out the characters, he is practicing communication skills. He is figuring out how people talk to each other and the play set allows him to do this with pretend characters, and to try out new words and ideas, without fear off mistakes or social errors with “real” people. 

Conversation is a complex process, and requires a great deal of practice.  Children need a safe place to figure out how to put words together to communicate an idea.  Pretend play gives children the necessary space for practicing. So, whether he is playing Super Heroes or house with his friends or playing alone with his Kindermusik play set, he is learning how to master the complexities of our language and the nuances of words. 

Children learn a great deal of what they need to know from conversing with adults, but they need these forays into the imaginary world for rehearsing what they’ve learned.

-posted by Miss Allison, who loves all the funny and clever and imaginative conversations your children have every week in class!

Ever lost something and then thought “Hmm… I wonder where I put that?”  Well, now you and your child can have fun looking for the misplaced items.  Just change the words of this Our Time Away We Go song and instead of finding frustration, you and your child will find laughter and a good time looking for things.  

For example, the other day I just couldn’t find my purse, so I started sing “Where oh where did I put my purse? Where oh where did I put my purse?”  All of sudden, I remembered that I’d left it in the car, and I happily went out there singing “Found it, found it, here is my purse!”  Luckily, not too many neighbors were home at the time and they all know what I do for a living, so when I break out into song it doesn’t really faze them!

I love hearing that my Our Time classes have already started to enjoy this game at home too!  Even on the first day of class, one mommy came running back into class saying that her child was jingling her keys as they were leaving! 

Singing with your child not only helps build self-confidence, but it is a wonderful way to bond as well.  Just as in story reading, singing directly exposes the singers to patterns of language, including rhythm, speech sounds, syntax and rhyme.

For your older child, try singing a song and allowing your child to fill in the blanks. (“Twinkle, twinkle, little ________”.)  By doing this, you are developing her sense of inner hearing as related to pitch and melody. 

Singing a song in your mind is akin to thinking up a story or making a plan without speaking out loud.  Remembering the sequence adds an additional level of complexity.  All these are vital life skills.

-posted by Miss Beth, who happily sings at any chance she gets…..including the grocery store when looking for the bread!