Studio3Music Blog

Posts Tagged ‘physical development’

Apr
6

Life With a Tornado

Posted in Child Development, Family

My niece Macie turns one year in a month. Right now, she’s at that annoying stage where she sits in her high chair, looks you straight in the eye, gives a cheeky grin, and drops her cup onto the floor.

My sister finds it annoying. I find it hilarious. Of course, I’ve been-there done-that three times, and it’s been five years since one of mine played that game. Because I’m the auntie, I can call it cute and be glad I’m no longer scraping food off the walls.

What this all means is that 11 month old Macie has moved from the this-is-all-about-picking-things-up stage, to the what-will-happen-if-I, what-does-it-feel-like, what-noise-does-it-make stage.

But let’s back up a moment. I’ve got to get you caught up. These fine motor skills began at about 2 to 4 months of age, when she inaccurately swiped at objects. Sometime after 3 months, she could hold small objects in her hand, and within a couple of months, could transfer those objects between her hands. Between 5 and 9 months Macie could first rake at objects with her whole hand to pick them up, and then moved on to picking up small objects using her thumb and index finger. We call this a pincer grasp.

She’ll use this grasp to string beads, close a Ziploc bag, color, hold her glockenspiel mallets in Kindermusik Young Child, build Lego creations, and cut with scissors.

As Macie’s grasp became more precise, she explored objects by moving, twisting, turning and shaking them. Now at almost a year, she’s just about ready for my favorite classic of baby toys – the Tupperware shape sorter, which combines the rotating, moving and flipping skills she learned earlier, which a little cognitive thinking.

When she first learned to sit, Macie would prop herself up on one arm, and explore her playthings with one hand and her mouth. As she learned sit without help, both hands became free to be used to answer her questions about the shape, texture, size, hardness, and weight of objects. She’s using her mouth less (though a lot of children remain really oral for a couple of years, and that’s perfectly okay).

Which brings us back to the cup throwing. And the banging, shaking, squeezing, tapping, twisting and flinging. Is my sister annoyed? You betcha. Her living room floor currently looks like a tornado hit it. So does Macie’s room. And the dining room. And sometimes even the bathroom. (And even the hallway, which occasionally gets mummified by an unwound roll of toilet paper.

But rather than get angry when our babes make a mess, keep this in mind: You already know what a balloon does when you kick it, what noise a cup makes when you throw it, just how fast you can unwind toilet paper (and how long it is!), how scratchy brush bristles feel on your skin – but your little one doesn’t. Someone, long ago, let you taste, touch, feel and manipulate objects. And then helped you learn how to pick up your tornado.

­-posted by Miss Analiisa, who suggests you make an ever-changing sensory box filled with varied objects like a sponge, a wooden spoon, a rock, a piece of sandpaper, a feather duster, and egg shaker, a pan lid, a real flower, a jingle bell stick and a stuffed animal for you to explore together.

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Mar
31

Bad handwriting – just laziness?

Posted in Child Development, Education

Dysgraphia is a form of learning disorder which affects how kids write—more accurately, don’t write.  These kids avoid writing like the plague. When forced, it’s a struggle.  Often gifted students, they are labeled lazy or messy because of the extreme amount of time it takes them to produce next to nothing—and that’s not even talking about legibility. When reasonable kids are given reasonable training and still don’t want to write, dysgraphia may be the reason!

For a long time, dysgraphia wasn’t a recognized learning issue. Just read a few of the comments on any of the websites listed at the bottom and you’ll quickly see what I mean.  You’ll hear from adults who struggled through school and only later in life discovered they weren’t stupid or lazy. Good-hearted parents who have tried to decode the mystery of their smart non-writer lament and rejoice in the helpful diagnosis. Guilt-smothered parents who berated their kids for not doing what they couldn’t are out there too, guaranteed. It’s time for dysgraphia to come into the light.

The diagnosis for dysgraphia is, as with many learning disabilities, somewhat inexact. A “cluster of symptoms” identifies it. Here is a sampling of the list from Wikipedia: Dysgraphia: Signs and Symptoms:

  • Cramping of fingers while writing short entries
  • Odd wrist, arm, body, or paper orientations such as creating an L shape with your arm
  • Excessive erasures
  • Mixed upper case and lower case letters
  • Inconsistent form and size of letters, or unfinished letters
  • Misuse of lines and margins
  • Inefficient speed of copying
  • Inattentiveness over details when writing
  • Frequent need of verbal cues
  • Referring heavily on vision to write
  • Poor legibility
  • Handwriting abilities that may interfere with spelling and written composition
  • Having a hard time translating ideas to writing, sometimes using the wrong words altogether
  • May feel pain while writing

Writing is a complex set of motor and information processing skills. Breakdowns can occur on several levels. Three identified subtypes are: Dyslexic & Spatial which are brain-based issues. Motor which is caused by fine motor problems.

Dyslexic:  Children’s spontaneous writing is illegible.  Copy work is fairly good, but spelling is bad. Not thought to be fine motor based problem.

Spatial: Illegible spontaneous writing and copy work, but normal spelling. Not thought to be fine motor based.

Motor:  Fine motor skills are deficient. They have poor dexterity, weak muscle tone or clumsiness. Writing requires extreme effort and an unreasonable amount of time to accomplish. Writing is poor, often illegible. They have difficulty drawing.  Their oral spelling is normal. Often they hold their pencil in an awkward manner.

The bright side of a diagnosis of dysgraphia may well be the emotional relief and redirection of correction in a positive direction. Stress was listed as a main negative side effect of the disorder. Can you imagine the frustration of not being able move a thought from head to hand to paper?  Assigning correct meaning helps the patient and parent know how to proceed.

Intervention for dysgraphia is better when started younger. Dianne Craft, an expert in treating “learning glitches” as she calls them, has a website and treatment program for a variety of learning disabilities affecting children, including dysgraphia. Exercises include retraining the brain through copy work and gross motor activities. She identifies dysgraphia as the most common learning block of gifted children and offers many resources for helping children move beyond the disability.

When therapy is given the college try and is clearly not helping, “accommodation” is recommended. Helping children live with dysgraphia often includes teaching cursive as it can be easier letter formation than printing.  Early keyboard training can help diminish frustration, however giving up on handwriting is not recommended. Public schools are able or sometime required to offer diagnosed children therapy or appropriate classroom help, such as a keyboard, or note-taker or alternate testing methods.

Check out these websites for more information:

ncld.org: National Center for Learning Disabilities

Nototherwisespecified.typepad.com: Sara Gardner’s blog (mother of a child with dysgraphia)

Diannecraft.org: Expert in treating childhood learning “glitches.”

-posted by Donna Detweiler, who hopes that this blog will get some frustrated children the help they need to succeed.

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Mar
21

Understanding Your Child (Boring title, important idea.)

Posted in Child Development, Education, Family, parenting

I’ll be right up front and tell you that tell you that I don’t pretend to understand your children. Seriously, I have three of my own. All complete opposites. I have enough to do, thank you very much, without worrying about your kids.

Don’t believe that? Okay. Truth be told – I’m a teacher through and through. I strive to appreciate every child I work with, and if you ask me about your child, (as some of you have), I’m happy to give you my observations. I really do want you help you be successful in the art of parenting.

I can also share what I’ve learned about how to really get to know them. And why would you want to get to know them? Besides the obvious fact that you like your children, of course! Your children are born with unique personalities, skills, gifts, talents, learning styles, and characteristics. It’s our job as parents to support our children as they mature.

Understanding your child will assist you to guiding them as they grow. For instance, knowing your child’s learning style (In order to understand concepts, do they need to see it, hear it, or do it?) will tell you how to help them with learning to read, tell time, or grasp their addition facts.

Children arrive with some prewiring. I don’t mean that they can’t change and grow, but they aren’t blank slates, either. How my 3 children behaved in utero was how they acted after they arrived on the outside. One was a poker – he’s 13 and he still “pokes” at me verbally if he wants my attention. One was a roller – I looked like a pregnant Sigourney Weaver from the movie Alien. He still is a whole body mover. He needs to move to learn. He moves when things get emotionally difficult to deal with. He rolls on the floor a few times in the middle of a particularly intense violin lesson, and then gets up and is ready to work again. My two boys will always be pokers and rollers.

The best way to understand your children is to simply observe them. Playing, working, sleeping, eating. What are the character traits that continually show themselves? Are they introverted or extroverted? What are their favorite activities? Those things are your child’s “normal”. Most of the time, your child’s “normal” is perfectly okay. And you need to be okay with it, too.

You don’t like going to the zoo every weekend, but your daughter begs, rain or shine? Think about what clues that gives you. Nurture that love of nature. If you don’t want to go to the zoo again, find new museums, take a field trip to the vet’s office, check out library books about reptiles for your visual learner. Get a pet for your “doer” to take care of.

Want to get to know someone? Ask a lot of questions! So, ask your child open-ended questions. (Those questions that require more than a yes or no answer.) Instead of asking your child who they played with in school, ask them what they played.

Miss Allison (a great observer of children) gave me some more ideas to pass along to you:

When you read a book to them ask them what their favorite part was… who their favorite character was…

Have a verbal child tell you a story. You’ll discover a lot about what they think about, and feel, are scared of… wishing for…

Watch how they play with small pretend play manipulatives: people toys (like action figures and Polly Pocket type things) and anthropomorphized animal toys, too, plastic animals or dinosaurs, small stuffed animals. Large motor pretend play is usually done with other children, but small motor pretend play is often done alone, so you only see what your child is interested in rather than what they are willing to compromise on.

Pay attention to the skill sets that confuse them or make them frustrated. Those activities are pointing you toward the areas the child isn’t as comfortable with, may be stuck with, or toward personality traits such as perfectionist, or short tempered.

Make a point of playing with your child in different areas of development. Do a puzzle one day, take a nature hike the next. Ride bikes, or work on pedaling, build with blocks, color and do a craft, sing a song, tell a story so that you can see where your child is gifted, where they struggle and most importantly, where they are growing and where they are not growing.

With lots of observation and interaction, you’ll have the knowledge of what tools and toys to provide, to assist them in reaching their next level of maturity.

-posted by Miss Analiisa, who sees so many of her sister’s and mother’s traits in her daughter that it’s more than a bit freaky.

Image: Naypong / FreeDigitalPhotos.net

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Feb
19

Giddy up horsey… go, go, STOP!

Posted in Child Development, Music and the brain, Our Time, Things to do

We’ve been working on self-control in our Our Time classes. Can you do that with 2 year olds? Actually, yes! You can teach self-control, even to toddlers. Of course, the concept takes a while to master (I’ll be the first to admit I have limited self-control around Godiva sea salt dark chocolate, but I’m working on that.)

There are two parts to self-control. The first is inhibitory control, which is the ability to stop what you are doing and wait. (The other part is impulse control, which is the ability to stop an idea or thought from becoming an action.) But as inhibitory control develops first, we’ll begin there.

In class, we’ve been playing with a chant called Giddy Up Horsey. You can do this at home, too. Put your child on your lap on the floor, and say this chant and as you bounce:

Giddy up horsey, giddy up horsey, giddy up horsey, go, go, go! Bounce your child up and down.

Giddy, up horsey, giddy up horsey, giddy up horsey WHOA!! When you get to the whoa, stop bouncing, and lean back with your child and stop. Wait quietly for a moment. Keep repeating the whole thing until the giggles subside.

Then in class, we’ve been getting up and riding stick horses around to the same chant, stopping our ponies and waiting to be told to “go” again, (the inhibitory control part) after the whoa.

Miss Allison had an interesting observation this week. She said that because the grownups were in charge of the child’s body during the bounce, they were showing the children how to control their bodies (how to stop at the appropriate time). The grownups were teaching the children the pattern and the how of the going, stopping, and waiting.

When the children got up on the stick horses, they were more ready and able to control their own bodies. They were familiar with the pattern, and could anticipate the whoa. Miss Allison said that in classes that did the bounce first, before the pony riding, the children had a much higher success rate of demonstrating inhibitory control when in charge of their bodies during the pony ride, than the ones who just did the ride.

That fits with what we always say – You are your child’s first and best teacher.

So, do a little bouncing this week. And keep your eye on the blog. I’ve got an idea about how to make a really adorable stick pony to practice the riding and stopping and waiting (cleverly disguised inhibitory control practice). I just need to get the idea out of my head and take some pictures of the process. I promise – under $5 and NO sewing!

Oh, I almost forgot. For a fun stop and go game at home or in the car, check out this cute idea.

-posted by Miss Analiisa, who will practice some pony riding every time she’s having difficulty practicing either inhibitory or impulse control around that Godiva sea salt dark chocolate.

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Jan
6

When it comes to your child’s education, why music matters.

Posted in Child Development, Education, Music and the brain

I’m a Suzuki momma. I have a flute playing 7th grader. And my 6 year old uses a glockenspiel in her Kindermusik Young Child class. To me, music is as important to children’s development as eating your vegetables. And your fish. And getting enough vitamin D. Oh, and washing your hair when you are a pre-adolescent and don’t take a shower voluntarily anymore.

In fact, as I write this, I am sitting here doing my best to force motivate my violin player through his practice.  It’s not always easy. He’d rather be playing Xbox, or tug-a-war with his dog, or making up stories with his Halo Megabloks – anything but practicing. (Except, well, taking a shower and washing his hair, of course.)

But I know something he doesn’t. Finnish researchers (Did you know my maiden name was Koivisto? Maybe that’s one of the reasons why I like these scientists so much) have just developed a new method that shows the wide neural networks (including motor, emotions and creativity) that become activated all over the brain as music is listened to. Now scientists have an even better way to understand how music affects us.

Just like eating your vegetables and fish and getting enough vitamin D have a profound impact on my children’s physical health and development, regular music lessons/classes from an early age increases my children’s ability to learn. That’s a scientific fact, not just my opinion.

Here are a few examples of how scientists and researches believe music helps the brain:

  • Studies have shown that music lessons/classes assist the brain to process sounds more efficiently. This means that when your child is trying to stay focused on reading a history text in a noisy classroom, he or she will have an easier time concentrating than a non lesson taker.
  • Fast forward to a grown up job in one of those tiny cubicles. Multi-tasking and concentrating in a busy, loud office is an essential skill, one your violin player is much more likely to have.
  • One researcher has found that the silence between two musical notes triggers the brain cells and neurons, which are responsible for the development of sharp memory.
  • Other studies demonstrate that children who undergo musical training have a better verbal recall than those who have none. The amount of information that can be recalled increases the longer their period of musical training.
  • Learning a second language is mandatory for high school graduation. Musicians are much better than non musicians at discerning the subtleties in pitch in foreign languages. This is especially helpful for tonal languages, like Mandarin.
  • Coordination and concentration are also improved when a child takes instrument lessons. Think about what a flute player does all at the same time – moves both hands, reads music, listens to the players around him, watches the conductor – that’s a lot to coordinate!
  • We know that music stimulates the areas of the brain that are responsible for planning and analyzing, thereby improving your organizational skills and making you more capable of handling math, reasoning and other cognitive tasks.
  • And I think most importantly, when a child masters a piece of music or a difficult technique, it provides a sense of accomplishment, and gives a boost in confidence that spills over into all areas of life and produces a desire to tackle more challenges.

I want my children to grow up and have a good work ethic, an eagerness to try new things, the ability to reason and think, and the confidence that they can successfully navigate life.  The music they participate in now will help them accomplish just that.

-posted by Miss Analiisa, who is going to make salmon burgers tomorrow night for dinner. After she wrestles her violin-playing 9 year old into the shower in the morning.

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